Works Cited

Stills from "Pretty Hurts." In an interview with Tavi Gevinson, Lorde remarked of BEYONCE: The Visual Album (2013), "I...

Hillary Gravendyk: 15:39:03 guess what? Hillary Gravendyk: 15:39:18 i still have more to write for my diss Hillary Gravendyk: 15:39:24 ...

(Standard disclaimer: I Am Not A Musician.) Lorde's "brand" is her precocity, and I must say that I am a sucker for it. I...

All sorts of asses ‘love’ poetry. Why not? It confirms them in the assininity of their deepest beliefs. It underlies the racial laziness, th...

By what process of logical accretion was this slight 'personality.' the mere slim shade of an intelligent but presumptuous girl, to ...

My essay "A League of Extraordinary Gentlemen" is out today in The New Inquiry 's issue 24, "Bloodsport." Since The ...

Man, two of them today, one in 3am Magazine (h/t Robin James ) and one in the relentlessly regressive WSJ (remember this guy , whose cran...

Why is it that at the “same time” capital grows more virtual and abstract in its daily operations, cultural critique grows increasingly posi...

Hello, new year.

Cross-posted to the course blog for my junior seminar Modernism and Childhood. ----- Another one for the "government and cuteness...

This is a far too long response to a post by Adeline Koh. -- I agree with Ted's point that DH is a social category more than anythin...

This is a syllabus in progress, imagined as part writing workshop, part American studies course on aesthetics. Comments and suggestions are ...