Works Cited

Well, it's been a good seven years on this janky Blogger blog, but I've finally decided to move to a minimally less janky site. Here...

[Y'all, I was going to write about "***Flawless," but then Beyoncé released a remix ft Nicki Minaj and you guys I'm just ...

International Modernisms 1840-present: Shock, Electricity, Invention MA seminar, autumn 2014 In 2010, the Museum of Modern Art in New Y...

I was disappointed to read Jack Halberstam's recent essay on trigger warnings and the "neoliberal rhetoric of harm." I agree ...

Stills from "Pretty Hurts." In an interview with Tavi Gevinson, Lorde remarked of BEYONCE: The Visual Album (2013), "I...

Hillary Gravendyk: 15:39:03 guess what? Hillary Gravendyk: 15:39:18 i still have more to write for my diss Hillary Gravendyk: 15:39:24 ...

(Standard disclaimer: I Am Not A Musician.) Lorde's "brand" is her precocity, and I must say that I am a sucker for it. I...

All sorts of asses ‘love’ poetry. Why not? It confirms them in the assininity of their deepest beliefs. It underlies the racial laziness, th...

By what process of logical accretion was this slight 'personality.' the mere slim shade of an intelligent but presumptuous girl, to ...

My essay "A League of Extraordinary Gentlemen" is out today in The New Inquiry 's issue 24, "Bloodsport." Since The ...

Man, two of them today, one in 3am Magazine (h/t Robin James ) and one in the relentlessly regressive WSJ (remember this guy , whose cran...

Why is it that at the “same time” capital grows more virtual and abstract in its daily operations, cultural critique grows increasingly posi...